| 释义 |
Definition of metafiction in English: metafictionnoun ˈmɛtəfɪkʃ(ə)nˈmedəˌfikSH(ə)n mass nounFiction in which the author self-consciously alludes to the artificiality or literariness of a work by parodying or departing from novelistic conventions and traditional narrative techniques. 超小说（小说流派，作者有意通过拙劣模仿或背离传统写作手法 尤指自然主义和叙述技巧，强调人为作用和文学性） the followers of Borges had retreated into airless metafiction count noun David Copperfield is a metafiction in which Dickens shows the process of constructing a romance itself Example sentencesExamples - An investigation of transworld identity, historiographic metafiction, creative writing, postmodernism, and narrative voice.
- The second narrative technique, metafiction, works in opposition to point-of-view narration to align the reader with the author at the expense of the fictional subject.
- The content of the interview is a metafiction that navigates the cultural space between imagined signs and social truths.
- The delight He took in transposing Descartes into spoken French leaps off the page, and the result of his efforts is a hilarious novel of ideas and social manners, with metafiction present as well.
- Technically it is, I believe, what is called in some quarters a metafiction: a book about a book.
- The mixing of fantastic and realistic modes and the ragged edges he makes between invention and representation, has been generally described as magical realism or metafiction.
- With its multi-tiered narrative and myriad metafiction conceits, the novel has all the makings of a literary event.
- In fact, each story becomes a metafiction: they are about the process of telling war stories as much as they are war stories themselves.
- It may be metafiction, a technique seen in all his works.
- It's got an interesting metafiction to the plot as well.
- Similarly, while metafiction in general allows, even demands, a new and more powerful role for the reader, it simultaneously demonstrates the continuing need for a consciously constructing authorial figure.
- Fiction writers were influenced by the postmodern fabulism and metafiction of North and South America.
- This kind of self-reflexiveness, through pastiche and quotation, is characteristic of metafiction and metafilm.
- Most metafiction tends towards narcissistic tail-chasing, but let's keep going.
- Their quest for ‘urban realism’ or neo-realism suggest that metafiction is not by definition incongruent with realism, and that referentiality remains a powerful preoccupation in many strands of postmodern fiction.
- In a New York Times Magazine article three years ago, Miller defined metafiction as ‘fiction that openly admits it is an artificial creation - as opposed to naturalism, in which art strives to represent real life.’
- However, what is often overlooked is metafiction's inherent and inevitable preoccupation with the creative power of the author.
- Second, it works as a metafilm and metafiction, employing sophisticated self-reflexive devices to tell a micro-historical story about film, film spectatorship and its relationship to modern Sicilian life.
- The latter story, a somewhat incomplete-seeming outline of a tale, is as much an early exercise in metafiction and ghost-storytelling technique as a coherent narrative.
- The result has been a number of works of art in the distinctively postmodern genre of historiographical metafiction.
Derivativesadjective Munro's original idea for the manuscript was a group of metafictional short stories involving two protagonists. Example sentencesExamples - When we evaluate the characters and their actions, are our evaluations helped or hindered by the novel's literary devices and its metafictional play?
- Frank does not disappear to Florida, he evaporates in a plethora of textual self-consciousness and metafictional self-referentiality in which Ford writes Frank out of his own narrative.
- In fact, it is too obvious: the novel explicitly refers to its predecessor only to dismiss it in a kind of metafictional Declaration of Independence.
- This author, whose entire career is based on the questioning of historical givens and beliefs, invokes the metafictional trope of migrancy to invoke an absolute of root-lessness and hybridity.
Definition of metafiction in US English: metafictionnounˈmedəˌfikSH(ə)n Fiction in which the author self-consciously alludes to the artificiality or literariness of a work by parodying or departing from novelistic conventions (especially naturalism) and traditional narrative techniques. 超小说（小说流派，作者有意通过拙劣模仿或背离传统写作手法 尤指自然主义和叙述技巧，强调人为作用和文学性） the followers of Borges had retreated into airless metafiction count noun David Copperfield is a metafiction in which Dickens shows the process of constructing a romance itself Example sentencesExamples - The delight He took in transposing Descartes into spoken French leaps off the page, and the result of his efforts is a hilarious novel of ideas and social manners, with metafiction present as well.
- It's got an interesting metafiction to the plot as well.
- Second, it works as a metafilm and metafiction, employing sophisticated self-reflexive devices to tell a micro-historical story about film, film spectatorship and its relationship to modern Sicilian life.
- This kind of self-reflexiveness, through pastiche and quotation, is characteristic of metafiction and metafilm.
- The result has been a number of works of art in the distinctively postmodern genre of historiographical metafiction.
- Most metafiction tends towards narcissistic tail-chasing, but let's keep going.
- Fiction writers were influenced by the postmodern fabulism and metafiction of North and South America.
- With its multi-tiered narrative and myriad metafiction conceits, the novel has all the makings of a literary event.
- It may be metafiction, a technique seen in all his works.
- In fact, each story becomes a metafiction: they are about the process of telling war stories as much as they are war stories themselves.
- Similarly, while metafiction in general allows, even demands, a new and more powerful role for the reader, it simultaneously demonstrates the continuing need for a consciously constructing authorial figure.
- Their quest for ‘urban realism’ or neo-realism suggest that metafiction is not by definition incongruent with realism, and that referentiality remains a powerful preoccupation in many strands of postmodern fiction.
- The mixing of fantastic and realistic modes and the ragged edges he makes between invention and representation, has been generally described as magical realism or metafiction.
- In a New York Times Magazine article three years ago, Miller defined metafiction as ‘fiction that openly admits it is an artificial creation - as opposed to naturalism, in which art strives to represent real life.’
- However, what is often overlooked is metafiction's inherent and inevitable preoccupation with the creative power of the author.
- An investigation of transworld identity, historiographic metafiction, creative writing, postmodernism, and narrative voice.
- The content of the interview is a metafiction that navigates the cultural space between imagined signs and social truths.
- Technically it is, I believe, what is called in some quarters a metafiction: a book about a book.
- The latter story, a somewhat incomplete-seeming outline of a tale, is as much an early exercise in metafiction and ghost-storytelling technique as a coherent narrative.
- The second narrative technique, metafiction, works in opposition to point-of-view narration to align the reader with the author at the expense of the fictional subject.
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